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拉康将艺术置于“批评偏执狂”的平行符号之下,两者都在进行重复、倍增和分离。“客体的重复的同一化”成为悖论认识的主题思想,成为不透进任何光线的打开的孔洞。整座房子里令人难忍地只有被油漆过的光秃秃的装饰,李向阳一个人住在房子的带着家庭式铰链的门旁。这扇门似乎许诺了许多剧终的真相大白,实际上却什么也没有来临。就这样,李向阳自顾自地敲着这扇门,造成在寂静中的期待。他从不放弃等待
Lacan places art under the parallel notation of “critical paranoia,” both of which are repeating, multiplying and separating. “Duplicate Identity of Objects ” becomes the theme of paradoxical awareness and becomes an open hole that does not penetrate into any light. Unbearably the entire house was painted barely decorated, Li Xiangyang live alone in the house with family-style hinges door. This door seems to promise a lot of the truth of the drama, but in fact nothing came. In this way, Li Xiangyang knocked on the door of himself, resulting in the silence of the expectations. He never gave up waiting