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一位萨克斯手的《回家》在街头巷尾泛滥了很长一段时间后,终于湮没无闻了——大众很轻易地丢弃了《回家》所带来的廉价而粗陋的乡愁体验。而思想者却没有停止因文化传统的流失和断裂带来的深刻的乡愁。刘梦溪在《传统的误读》中对文化传统进行了细致的追溯和深刻的阐释,我们能为他对中国20世纪文化传统在“轮番实验”中不断流失的遗憾和对真正的文化传统的眷顾所深深感染。长期以来,我们热衷于把文化传统像旧式花瓶一样打破又修补,或扔在墙角,鄙夷的厌弃;或捧上圣坛,空洞地崇拜。文化传统就这样在我们视野中日渐模糊。
The “home” of a saxophonist was finally obliterated after a long period of rampant street-populace easily discarded the cheap and crude nostalgia experience of “returning home.” The thinker, however, did not stop the profound nostalgia brought about by the loss and fragmentation of the cultural tradition. Liu Mengxi elaborated on the cultural tradition in the “traditional misreading,” and gave us a detailed retrospective and profound explanation for his regrettable loss of China’s twentieth-century cultural tradition in the “turn experiment” and its true cultural tradition The blessing of the deep infection. For a long time, we are passionate about breaking down and repairing cultural traditions like old-fashioned vases, or throwing them on the corner of the wall and scornfully dislike them; or holding the altar and empty worshiping. As a result, cultural traditions are getting blurred in our field of vision.