作为一个不愿攀爬“文坛”、只愿俯身“文摊”的作家,赵树理一直把“老百姓喜欢看”作为自己的创作追求。而他在与农民群众长期深入的接触中发现,“五四以来的新小说和新诗一样,在农村中根本没有培活了”,①广大农民群众所欣赏的还是评书、鼓词、秧歌剧等艺术形式。这使他意识 As a writer who is unwilling to climb the “literary world” and only wants to lean over “Wen Biao”, Zhao Shuli has always regarded “common people like to watch” as their own creative pursuit. In his long-term and profound contacts with peasant masses, he found out that “the new novels since the May Fourth Movement have not had any training in the rural areas like the new poetry”. ① The majority of peasant masses admire stories, storytelling articles, Yangko dramas, etc. forms of art. This made him aware