我是个越调演员,过去唱包头(旦),这几年改唱鬚生。我十一岁学戏,十三步随班演出,二十四年来一直没离开过舞台,也从没倒过嗓子。同志们常常问我:你的嗓子为什么这样顶唱?要我谈谈这方面的经验。这一下把我给问住了。过去,我一直闷着头唱,没想过这个问题,我能说个什么呢! 越调在河南是个大剧种。它非常着重唱,一板下来,常常是百二八十句,没有一条铁嗓子真应付不下来。但它也有个方便之处,就是男女角的发音都用真嗓,本腔大口,不用多大的雕琢。因此,我们在喊嗓时,一方面要 I am a more performer, used to sing a tortoise head (once), in recent years, change my singing. I was a 11-year-old school play, thirteen steps with the class performance, for 24 years has never left the stage, has never turned down his throat. Comrades often ask me: Why does your voice sing like this? Ask me to talk about this experience. This time I asked to live. In the past, I have been bored singing, never thought about this problem, what can I say! The more tune in Henan is a big drama. It is very important to sing, a plate down, often two hundred and eighty, without an iron throat really can not afford to come down. But it also has a convenience, that is, the pronoun of both men and women use true throat, the cavity big mouth, without much carving. Therefore, when we are crying, we need to be on the one hand