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在魏晋南北朝时期的书法史上,字体的发展演变是一个重要的事件。本文由“二爨”碑出发,将铭石书法与日常书写予以区分,认为二者保持着相对独立发展脉络,通过时间与空间的对比研究,得出“二爨”碑的字体是在楷书已经形成,而且体态已显得相当流美的情况下,因施之于碑版,书体存在新与旧、先进与后进之别,加之受社会发展及南北文化交流、民族融合、石刻工艺等因素影响而形成的一种特殊的书写风貌的结论。
In the calligraphy history during the Wei, Jin, Southern and Northern Dynasties, the development and evolution of fonts is an important event. This paper, starting from the monument of “Erhuan”, distinguishes Mingshi calligraphy from daily writing, and holds that both of them maintain a relatively independent development context. Through the comparative study of time and space, the fonts of “Erhuan” monument Is in the regular script has been formed, and the body has become quite beautiful case, due to the tablet, there is a new and old book, advanced and backward distinction, combined with social development and cultural exchange between North and South, national integration, stone carving process And other factors and the formation of a special writing style conclusion.