透墙而视与恐狭效应是易卜生戏剧的两大技巧。前者主要就舞台表演而言,目的是为了营造戏剧幻觉,引起观众去想象无法在舞台上呈现出来的事件,后者主要就戏剧对观众产生的心理影响和情感效果而言,而且这两者往往相互关联,产生的效果也很难通过电影电视等媒体达到。本文以《觊觎王位的人》、《野鸭》和《玩偶之家》等作品为例,详细分析了这两种技巧在易卜生戏剧中的运用。 Through the wall and fear of narrow effect is Ibsen’s two major theater skills. The former mainly aims at stage performances in order to create the illusion of drama and cause the audience to imagine incidents that can not be represented on the stage. The latter mainly focuses on the psychological and emotional effects of drama on the audience, and often both Interrelated, the resulting effect is difficult to reach through the media such as film and television. Taking “The Man of the Throne,” “Mallard Duck,” and “The Doll’s House” as an example, this article analyzes the use of these two techniques in Ibsen’s plays in detail.