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如实了解《周易》卦爻辞思想及其与孔子的关系,是正确认识中国思想源头和孔子思想渊源的前题。《周易》可分为符号(卦画)与文字(卦辞、爻辞)两部分。卦画不是语言概念,人们从来没有用卦画来进行思维,它也不是记录思想的工具,而只是一些空洞的符号。卦画的基本符号一、—不具有哲学中阴阳范畴的意义。只是到了战国时期,《周易大传》的作者们才用阴阳范畴解释一、—这一对基本符号,《周易》的卦画结构才第一次得到全面解释。卦爻辞则是周公、召公为了使成王、诸侯及其后嗣子孙居安思危,常怀忧患意识,指导史巫将历年存放于“金縢之匮”中的命龟之辞及其他历史文献,加以整理,编写而成的文王、
It is a prerequisite for a correct understanding of the origins of Chinese thought and the origins of Confucianism if we truly understand the thoughts of the hexagrams and the relationship with Confucius in the Book of Changes. “Book of Changes” can be divided into symbols (hexagrams) and text (Gua Ci, Sui words) in two parts. Gua drawing is not a linguistic concept. People never use Gua drawing for thinking. Nor is it a tool for recording ideas, but just some empty symbols. The basic symbols of hexagrams painting - - does not have the meaning of yin and yang category in philosophy. It was only in the Warring States Period that the authors of The Book of Changes published the explanation with a category of yin and yang - the basic symbol of which, the Guahua structure of the Book of Changes was fully explained for the first time. Gua Xun Ci is Zhou Gong, called the public in order to make king, princes and their descendants in full swing, often with the sense of urgency, guide the witch will be kept over the years in the “Golden Death of Kui” in the fate of life tortoise and other historical documents, To be collated, prepared by the literary king,