有人说,当今中国书坛,并不缺少形形色色的表演者,也不缺乏夸夸其谈的空谈家,而短缺的是潜心钻研、不求闻达的修行者。昆山陆家衡便是今日书坛苦行僧式的人物。他数十年如一日,上溯商周,下研明清;临碑摹帖,涵咏书卷;融会贯通,卓然书坛。一书法艺术既是实用技能的升华,也是创作主体的综合修养的物化。历代书家对法与非法、形质与神采、技法与涵养等,都阐述过自己独特的见解。如今,随着书 Some people say that in today’s Chinese calligraphy circles, there is no shortage of various performers and no shortage of rhetoric speakers. What is lacking is a devoted practitioner who devotes himself to studying and not asking for advice. Kunshan Lu Jia Heng today is the ascetic monk-style figures. His decades as a day, Shang Shang Zhou, under the Ming and Qing Dynasties research; Ming tablet copy, Han Yong volumes; mastery, Zoran book altar. A calligraphy art is not only the distillation of practical skills, but also the materialization of the comprehensive cultivation of the main body of creation. Historians have expounded their own unique views on law and illegality, form and spirit, technique and cultivation. Now, with the book