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新生代加拿大华裔女作家拉丽莎.赖通过对中华民族的神话意象“千年狐”和“女娲”进行重写,在超越现实的魔幻叙述中,艺术地再现华裔的生存困境。在《千年狐》中,通过千年狐附体,让华裔与中国历史得到衔接和亲近,最后引导华裔个体回归中华文化。在《咸鱼女孩》中,通过女娲的跨时空流散经历,尖锐地指出工业革命对个体的压迫是华裔边缘地位的根本原因。从文化回归到工业批判,体现出作者在不断地超越华裔族群,从更广泛的受压迫者角度来揭示问题的本质。而这一揭示包裹在超越现实的魔幻乌托邦中,体现了作者在努力超越二元对立的政治思路,运用超现实的审美形象为人类生存的未来敲响警钟。
The new generation of Canadian Chinese writer Lisa Lai rewrites Chinese mythological images “Millennium Fox ” and “Nu Wa ”, surpassing the reality of the magical narrative, the artistic reproduction of ethnic Chinese survival predicament . In the “Millennium Fox”, through the Millennium Fox Posthumous, Chinese ethnicity and Chinese history get convergence and close, and finally guide Chinese individuals back to Chinese culture. In The Salted Fish Girl, through the trans-temporal infancy experience of Nuwa, it pointedly pointed out that the industrial revolution’s oppression of individuals is the fundamental reason for the marginalization of ethnic Chinese. The return from culture to industrial criticism shows that the author constantly goes beyond Chinese ethnic groups and reveals the essence of the problem from the perspective of a wider range of oppressed people. This revelation wrapped up in the transcendental magical utopia embodies the author’s efforts to surpass the political ideology of dualism and use the surreal aesthetic image to sound the alarm for the future of human existence.