装修,随处可见的事情,中国似乎在经历着一个装修的年代。装修材料的可行性和工程的工期在一定程度上限定了其质量和标准。因此,限定性是必然存在的,并且需要在有限的资源下使转变发生。艺术家用作品给予一个空间变化,或作者附加于作品的意义。山子不一定能参透,但这并不妨碍他用自己的角度来理解——那就是任何附加物和附加值所导致的非物理性变化都可以被看作为一种装修。于是,在这一次装修里,每个艺术家都把自己的想法输入工程,使这个废旧的工厂在向当代艺术空间转化的同时就产生了作品。在装修完成时,展览就已经出现了。对于山子来说,他也就完成了一次由装修人变为策展人的身份装修。在参展的十八位艺术家的合作下,“装修”展顺利开幕了,山子说谨以此展献给所有多年来支持他和他支持的艺术圈的朋友们。 Decoration, ubiquitous things, China seems to be undergoing an era of decoration. The feasibility of decoration materials and the duration of the project to a certain extent, defined its quality and standards. Therefore, the limit is inevitable, and the change needs to be made with limited resources. The artist uses the work to give a spatial change, or what the author attaches to the work. The mountain does not necessarily penetrate, but it does not prevent him from using his own point of view - that is, any attachment or added value caused by non-physical changes can be seen as a decoration. So, in this renovation, each artist put his own ideas into the project so that the used factory was produced at the same time as it was transformed into the contemporary art space. When the decoration is complete, the exhibition has already appeared. For the Son of Heaven, he also completed a decoration from the decoration of the identity of the curator. In cooperation with the 18 artists participating in the exhibition, the “Decoration” exhibition was successfully opened, and Shan said that he would like to dedicate this exhibition to all friends who have supported him and his art circles for many years.