陈村的书我读得不多,而且大多是些散文杂记类的,想象中的陈村应是个什么样子,总也道不明白。陈村的文字平直,简单,扼要,用他自己的话来说:“浅浅的文化,不得不放弃繁复的文风,作品中单句多了,定语状语少了。”然而就是这样一个学历本不高的作家,迄今已发表了七十余篇作品,共七八十万字。实在令人咋舌。初识陈村,是在一个盛夏的季节,被硬性规定的世界名著“折磨”得苦不堪言,于是放下手中的巨著,去书摊上“捡”回一本陈村的小集《一下子十四个》,不为别的,只为了书名有意 I didn’t read Chen Cun’s book very much, and most of them are prose miscellaneous. Imagine what Chen Cun should be like. Chen Cun’s words are straightforward, simple, and brief. In his own words, “shallow culture has had to abandon the complicated style of writing. There are more single sentences in the works and there are fewer adjectives in the attributive.” However, such an education is not High writers have so far published more than 70 works, totalling 7.8 million words. It’s really staggering. Chen Chuceng first learned that in a summer season, he was tortured by the hard-to-prescribe masterpieces of the world, so he laid down his masterpiece and went to the book stall to “give back” to a small set of Chen Cun. Fourteen, not for anything else, just for the title of the book