论文部分内容阅读
春秋后期,《诗经》作品的创作已经进入尾声,只有郑国诗歌还保持较为旺盛的势头,产生一批带有那个时代诗体特征的作品。同时,郑诗也已经结集在《郑志》中,使郑诗得以较多的进入《诗经》。郑诗的散文化倾向,以及运用语气词较之以往增多的特点,体现出春秋后期诗风的转变。郑诗多数产生在春秋后期,与孔子所处的时段一致,加之它又用新声演唱,因此对孔子的刺激更为直接强烈,遭到孔子的反复批判。
In the late Spring and Autumn Period, the creation of the works of the Book of Songs has come to an end. Only the poems of Zheng State still maintain a relatively strong momentum, resulting in a number of works with the poetic characteristics of that era. At the same time, Zheng poetry has also been collected in “Zheng”, so that Zheng Shi can more into the “Book of Songs.” The poetic tendency of Zheng’s poems and the use of modal words have more features than ever before, which reflects the transformation of poetic style in the late Spring and Autumn Period. Most of the poems produced in the later years of the Spring and Autumn Period coincided with the time periods of Confucius, and in addition, they sang with the new voice. Therefore, the stimulation of Confucius was more direct and intense and was repeatedly criticized by Confucius.