以追求文学现代性为精神指归的“五四”新文化运动,不仅使得传统古典诗词丧失了自身的文学神性,同时亦使得其文学史的正统地位被边缘化。而且,囿于以“阳春白雪”为精神内核的旧体诗词传统与“解放区”文艺大众化诗学传统的格格不入,古典诗词在文学史上的“非法性”地位,更是一直延续到了新中国成立。但是,在新中国成立后的1957年,新中国的第一个全国性诗歌杂志《诗刊》,却耐人寻味地刊发了毛泽东的十八首旧体诗词。或许这一行为背后的诸多暧昧因素 In the pursuit of the modernity of literature, the “May 4th” New Culture Movement not only makes the traditional classical poetry lose its own literary deity, but also makes the orthodox position of its literary history marginalized. Moreover, the old tradition of poetry with “Yang Chun Bai Xue” as the spiritual core is incompatible with the tradition of popularization of literature and art in the “Liberated Areas”, and the “illegality” status of classical poetry in the history of literature is even more continuous The founding of new China. However, in 1957, after the founding of New China, the first national poetry magazine published in New China, thoughtfully published Mao Zedong’s 18 old poems. Perhaps behind this many ambiguous factors