我去太行山写生多次,每次都去不同的地方,每次都用积墨法表现,画很厚重的画面,大约一天画一张,有时候好几天画一张。曾有老师说每次可画一个山头,把它画深入,画具体,练习自己的深入能力和把握画面整体的能力,不要每张都画得很快,那样就易草率,画也不耐看。所以我前几次都画得很慢,而且有时候墨积得很黑,更没有达到老师说的黑里带着神秘感。就“神秘感”三个字,我到现在都不理解。这次写生之前我拜访了恩师,问他我现在应该怎么去画,他告诉我再写生应该努力画得与以前不同。我看 I went to the Taihang Mountains and sketched many times. Each time I went to a different place, I used the ink-in-law method to express each time. I drew a very heavy picture, drawing about one day and sometimes painting for several days. Once a teacher said that every time you can draw a hill, draw it deep, draw concrete, practice your own in-depth ability and ability to grasp the overall picture, do not each draw very fast, so easy to sloppy, painting is intolerant. So I painted a few times before very slowly, and sometimes ink plot is very dark, but did not reach the teacher said the dark with a sense of mystery. On the “mystery ” three words, I do not understand now. Before this sketch, I visited my teacher and asked him how I should paint now. He told me that sketching should be done differently than before. I read