谷崎润一郎于1942—1948年创作了长篇小说《细雪》,在关西丰厚的古典文化氛围中,以自己钟情的女性为原型,表现憧憬中的永恒的美好生活。在20世纪40年代的日本,谷崎理想中的古典女性和传统生活方式都已近晚声。理想与现实的矛盾,通过作品主人公雪子集中表现出来。雪子是谷崎崇拜的“永恒的女性”的代表,但她传统的性格在当时已不合时宜。外界赋予雪子形象的社会性意义与属于其本人的个体性意义亦不相同。就身体与女性的关系来看,上述矛盾呈现为从对抗到回归的过程,体现了以平凡、真实的生活状态来面对逝水年华的生存哲学。 In 1942-1948, Junichiro Tanizaki created the novel “Suehiro”. In the rich classical culture of Kansai, he used his favorite female as a prototype to represent the eternal good life in his vision. In the 1940s in Japan, Tanigaki ideals of classical women and traditional lifestyles are almost late. The conflict between ideal and reality is manifested through the concentration of snow hero in the work. Asuka is the epitome of “Eternal Woman” whom Takasaki admired, but her traditional character was outdated at the time. The social significance of the snow image given by the outside world is not the same as that of the individuality that belongs to itself. In terms of the relationship between body and woman, the above contradiction appears as a process from confrontation to regression and reflects the existential philosophy of facing the passing of time through its ordinary and real life conditions.