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一关于女性散文,我陆续听到许多批评,在报纸上,在专著中,在研讨会的不少慷慨激昂的发言里,批评者们一而再地说,90年代的女性散文呀,毛病多,可以肯定的太少了。比如:卿卿我我,嘟嘟囔囔,婆婆妈妈,琐琐碎碎,唠唠叨叨。老是我的丈夫呀、我的孩子呀、我的猫咪呀、我的狗仔呀,我家的花呀……总之是一大群“小女人”的无聊碎片,真没意思。每逢这种时候,我都专注地听着,记录下他们批评的要点,思索着他们的道理,然后对照自己的观点,反复比较和审视。再扎到散文创作
As for the women’s essay, I have heard many criticisms in succession. In the newspapers, in monographs, and in many impassioned speeches at the seminar, critics have said time and again that the women’s prose in the 1990s has many problems, To be sure, too little. For example: Qing Qing me me, tumble mutter, mother and daughter, trivial broken, nagging. My husband is always, my child, my cat, my paparazzi, my family’s flowers ... ... In short, a large group of “little lady” boring fragments, really boring. At this moment, I listened attentively, recorded the points they criticized, pondered their truths, and then compared them with my point of view repeatedly. And then tied to the prose creation