人类音乐审美的发生作为一个过程,是由混生性的艺术型态(常包括音乐、舞蹈、诗歌、戏剧、美术等因素的浑沌现象)逐渐分离成为相对独立的艺术型态而显现出来的,正如《吕氏春秋·大乐》所言:“音乐之所由来者远矣。生于度量。本于太一。……成乐有具。……务乐有术。”(意即:音乐的来由很远。产生于长度和容量,本源于最早的“太一”。……要制成音乐必有一定的设施。……要从事音乐必有一定的方 The appearance of human music aesthetics as a process is manifested by the gradual separation of the art forms of mixed nature (often including the phenomenon of chaos in music, dance, poetry, drama, art and other factors) into a relatively independent art form, As “Lu’s Spring and Autumn Music” said: “The origin of the music is far from the men. Born in the measurement. 本 太一 ...... ...... 成 乐 有具 ...... 有务 有有 术.” (That is: music Come from a long way, come from length and volume, originated from the earliest “too.” ... To make music there must be certain facilities .... To engage in music there must be a certain side