“法天贵真”是庄子美学的审美源头,老子日:“人法地,地法天,天法道,道法自然。”庄子继承了老子法自然的哲学体系,把老子的“道”及其自然性落实到人生哲学和美学观念上。他从“道法自然”出发,以自然天真为美的最高追求。此处暂且不展开庄子有关“天”与“真”的阐述,本文引用庄子的这个观点乃是为了更好地寻找一个与自身创作思绪较贴切的表达词汇。作品《伴》的创作想法源于一次下乡采风:集市散去,白裤瑶老者手提鸟笼, Laozi Day: “Zhuangzi, Tianfa Daozhengdao, Taoist Nature.” “Zhuangzi inherited the philosophical system of Lao Tzu’s philosophy of nature, ”Road “ and its natural to the life philosophy and aesthetic concepts. He started from ”Taoist Nature “ and pursued the highest pursuit of natural innocence and beauty. Here for the time being do not start Zhuangzi ”“ days ”and “ true ”elaboration, this article quoted Chuang Tzu’s point of view is to better look for a more appropriate expression of their own creative vocabulary. Works with “companion” originates from the idea of ​​collecting the wind to the countryside: the market dispersed, white trousers Yao old mobile bird cage,