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艺术史研究已然发展出丰富的研究模式。研究者们从政治、社会、经济、文化、人类精神等多元角度解析美术的历史和风格形成的原因,然而,这些视角虽然揭示了艺术风格变化的外部成因,但也难免造成这样的结论:艺术创作是由诸如此类的外部环境所决定的。与此对立,艺术研究的另一种理论极端否认外部因素而刻意强调其形式的自主独立。这两个取向都忽视了艺术对世界的建构性作用,即忽略了艺术对我们人类认识世界的建构性作用。许多著名的学者如卡西尔
Art history research has developed a wealth of research patterns. Researchers analyze the reasons for the formation of the history and style of art from the perspectives of politics, society, economy, culture and humanity. However, although these perspectives reveal the external causes of changes in art style, they also inevitably lead to the conclusion that art Creation is determined by such external environment. In opposition to this, another theory of artistic research, which extolously denies external factors and deliberately emphasizes its form of independence and autonomy. Both of these tendencies neglect the constructive function of art to the world, that is, ignoring the constructive function of art for our human understanding of the world. Many famous scholars such as Cassirer