中原作家群的主要创作资源来自故乡,包括阎连科的“耙耧山脉”、刘震云的“新乡延津”、周大新的“南阳盆地”和李佩甫的“豫中平原”等,他们的写作共同汇聚了中原文学的地理版图。考察其故乡书写,会发现作家不同的童年记忆造就不同的写作方式,如阎连科的饥饿、贫困,刘震云的灾难、权力话语,以及周大新笔下相对明净的乡土世界。而在对故乡长久持续的关注与创作中,他们也面临着故乡记忆与秩序变动的复杂关系,故乡神话与现实的有效接续,成为作者在通往故乡的道路的重要话题。 Central Plains writer group’s main creative resources come from his hometown, including Yan Lianke’s rake mountain range, Liu Zhenyun’s Xinxiang Yanjin, Zhou Daxin’s Nanyang Basin and Li Peifu’s Yuzhong Plain et al. , Their writing brings together the geographical map of the Central Plains literature. A study of his hometown and his hometown reveals that writers’ different childhood memories create different ways of writing, such as Yan Lianke’s hunger, poverty, Liu Zhenyun’s disasters, power discourses, and Zhou’s relatively clean native world. In the long-term concern and creation of their hometown, they also face the complicated relationship between hometown memories and changes in order. The effective connection between hometown mythology and reality has become an important topic for the author on his way to his hometown.