论文部分内容阅读
英国钢琴家穆尔和某歌手一起排练,曲目为舒曼的《月夜》。六小节的引子弹完以后,应该唱了。然而,歌手却在这时发表如下一番高论: ——您知道吗,我从没听见过这么美的演奏。但我觉得。您弹的音太丰满了;终归描写的不是阳光,而是月光。当然,琴声很柔和,但您能不能,保持pianissimo(pp)同时,或许稍微改变一点色调。如果您不能表达银色的月光,哪怕有少许夜空的凉意也好。——好吧!——钢琴家答道。然而,琴声还跟以前一模一样,只是面容和姿态改变了。他略微皱起眉头,面带冷漠表情,目光投向高处——天花板东北角。
British pianist Moore rehearsed with a singer, the track for Schumann’s “Moonlight.” After the six-section introductory bullet is finished, you should sing it. However, the singer at this time made the following high words: - You know, I have never heard such a beautiful performance. But I think. Your bounce is too plump; it’s not the sun, it’s the moonlight. Of course, the music is very soft, but you can not, keep pianissimo (pp) at the same time, perhaps a little bit of hue. If you can not express the silver moonlight, even a little cool night sky is good. - Okay! - The pianist replied. However, the sound of the piano was exactly the same as before, except that the face and attitude changed. He frowned slightly with a cold expression on his head - the northeast corner of the ceiling.