最近科学的迅猛发展给人们的生活带来了众多的便捷与舒适,同时推及到中国文化的各个角落,以至于洒落到中国文化最具代表的文化样式之一——中国水墨画上。当中国画“穷途末路”之说提出之后,一时间几乎使中国画坛哀鸿遍野、“危机”四伏。有人表示忧虑,有人主张改良,各种观念风起云涌,都在寻求探索中国水墨画的出路。在今天飞速变革的电子信息时代,当电脑这种多媒体出现的时候,我们是否曾经有过这样的设想,如果我们抛弃笔 Recently, the rapid development of science has brought many conveniences and comforts to people’s lives. At the same time, it has spread to every corner of Chinese culture and spilled onto Chinese ink painting, one of the most representative cultural styles of Chinese culture. When the Chinese painting “End of the Dead ” was said, for a time almost make the Chinese painting world bewildered, “crisis ” four volts. Some expressed concern that some people advocated reform and all sorts of ideas were surging and were seeking ways to explore the Chinese ink painting. In today’s rapidly changing electronic information age, when the multimedia of computers appeared, have we ever had such a scenario if we abandon the pen