东干作家尔利·阿尔布都创作了一系列生活在中亚的中华回族女性后裔群像,既有在回儒双重文化规约下命运多舛的老一代东干妇女,也有在苏联卫国战争时期兼具男女双重角色的东干女性,还有在集体农庄时期因掌握知识而改变了命运的东干新女性。这些被遗忘的女性群像的塑造,对于我们深入了解东干女性的现实生活、丰富世界华语文学女性形象以及中国回族女性在社会转型期自我主体建构的借鉴等方面都具有一定的意义。 East dry writer Erie Albudu has created a series of Hui women descendants of the Hui ethnic group living in Central Asia. Both the older generation of Dong-kan women, who have a lot of fates under the double Confucian culture of repurposing Confucianism, Donggan women, both men and women, and Donggan new women who changed their fate by the knowledge of the collective farms. The shaping of these forgotten female groups is of great significance for us to know more about the real life of Donggan women, to enrich the female images of the world Chinese literature and to learn from the self-centered construction of Chinese Hui women in social transformation.