电影分成两截,前面有简·奥斯丁的风格,一个哥特式英国庄园的故事。塞西莉娅小姐和管家的儿子罗比的爱情,很老套、很英国。我不太喜欢那种黑黢黢的侦探小说的笔法。迷人,但格局小巧。最要命的是那种斯文,给生命中要对付的苦难与罪愆,都蒙上一层“人性的、太人性的”面纱。有时构成一种张力,但至少在这部片子里,却有一种削弱。 The movie is divided into two parts, in front of Jane Austen style, the story of a Gothic British manor. Love of Cecilia Miss and Robbie's steward, very old-fashioned, very British. I do not really like the dark black detective novels. Charming, but compact. The most terrible thing is that kind of gentle, to the life to deal with the suffering and sin, are cast a layer of “human nature, too human nature” veil. Sometimes a tension, but at least in this film, there is a weakening.