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黄宾虹的山水画是新世纪之初中国画向传统回归的一座灯塔。众所周知,中国画在经历了二十世纪向西方现实主义与现代主义的归拢之后,表现现实的写生性山水,以及凸显画面视觉形式感的山水,几乎成为二十世纪下半叶以来中国画学的变革大势。但此种山水画变革,虽具有贴近生活的亲近感与视觉感官上的新颖性,但山水画超越现实的精
Huang Binhong’s landscape painting is a beacon of traditional Chinese painting at the beginning of the new century. As we all know, Chinese painting experienced the twentieth century to Western realism and modernism gathers together, the performance of the realistic landscape painting, as well as highlight the visual form of visual landscape, almost become the trend of change in Chinese painting since the second half of the twentieth century . However, this kind of change of landscape painting, though it has the close feeling of life and the visual sense of novelty, but the landscape painting surpasses the reality essence