白居易作为唐代戏曲形成期的重要诗人,他的《长恨歌》《琵琶行》均受到后世戏曲的追捧,究其原因就在于它具有完善的时空组合、娴熟的抒情模式、出色的虚实手法以及伴随人物而变幻的意境,十分感性地保存了戏曲美学的基本特征。我们对该作品进行重新解析,可以从中发现戏曲文化的母体基因,可以帮助我们从历史形态的角度进一步理解和把握传统戏曲艺术的美学品格。 As an important poet in the formation period of the opera in the Tang Dynasty, Bai Juyi’s “Everlasting Sorrow” and “Pipa” are both sought after by later Chinese opera. The reason is that it has a perfect combination of time and space, a skilled lyric mode, Personality and mood changes, very emotional preservation of the basic characteristics of opera aesthetics. We reanalyzed the work and found that the mother gene of the drama culture can help us to further understand and grasp the aesthetics of traditional opera art from the perspective of historical forms.