论文部分内容阅读
本文从发生学角度,探讨少数民族电影“原生态”叙事存在的问题,以及艺术、文化再创造的可能性。“原生态”的广泛传播,起于大众娱乐文化。高度发达的媒介化社会中,“原生态”的陌生化效应是短期的。少数民族电影“原生态”叙事,应从奇观表象深入到文化内部以及社会与历史环境中的人的心灵深处;在避免片面形式化的同时,需要挖掘和表现普世价值;基于历史与现实的深刻洞察,开拓悲剧美学空间,是其重要的发展方向。
In this paper, from the point of view of genesis, this paper explores the problems existing in the narrative of “primitive ecology” of minority nationalities and the possibility of recreating art and culture again. “Proto ” wide dissemination, from the mass entertainment culture. In the highly developed media society, the defamiliarization effect of “original ecology ” is short-term. From the spectacle of spectacle to the depths of people in the culture and in the social and historical environment, ethnic minorities’ narratives of ’original ecology’ need to discover and express universal values while avoiding one-sided formalization. Based on historical and Realistic and profound insight into the aesthetics of tragedy space is an important development direction.