论文部分内容阅读
勋伯格的十二音音乐成就举世瞩目,而其所唤起的抵触与崇敬同样强烈。本文用辨证的方法分析勋伯格的十二音音乐,对于其在拓宽音乐表现力,丰富听觉感性样式等方面所起的作用给予充分的肯定。然而与此同时,笔者亦认为十二音音乐违反了人类听觉的自然属性,瓦解了音符间的自然魅力,而由此所引起的全序列音乐则为随后的音乐创作带来了一定程度的消极影响。
Schoenberg’s twelve-note music achievements have attracted worldwide attention, and its resistance and reverence are as strong. This paper analyzes Schoenberg’s twelve-tone music by dialectical method, fully affirming its role in broadening the expressiveness of music and enriching the sensual style of hearing. At the same time, however, I also believe that the twelve-tone music violates the natural attributes of human hearing, disrupts the natural charm of the notes, and the resulting full-sequence music brings a certain degree of negative impact on subsequent music creation influences.