赵尚义同志在《議論一下京剧〈白毛女〉》一文中,談及对《白毛女》的評价問題,也談及京剧表现现代生活中的創造程式、表现生活等問題。这些問題很重要,很值得我們討論。赵尚义同志認为:“看到中国京剧院演出的《白毛女》,是不是就可以說这个尝試已經成功了呢?我看还沒有。”他的理由大致是:京剧《白毛女》沒有很好地創造出具有北京现代人物風格和特性的生动形象,語言和唱腔都不够“过癮”,等等。在这方面,我有不同看法。 Comrade Zhao Shangyi talked about the evaluation of “White-Haired Girl” in his article “On the White-Haired Girl in Beijing Opera.” He also talked about Peking Opera’s performance of creating programs and expressing life in modern life. These issues are very important and worth our discussion. Comrade Zhao Shangyi said: “If you see the” White-Haired Girl “who performed at the Peking Opera Theater, can you say that this attempt has been successful? I do not think so.” His reason is roughly as follows: The “White-Haired Girl” Did not well create a vivid image with the style and characteristics of modern Beijing characters, and did not have enough “fun” in both language and singing. In this respect, I have a different opinion.