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周星驰是一个有着孩子气质的人,游走于幽默与沉默之间。在电影中,他时而是才华横溢的唐伯虎,时而是情话绵绵的至尊宝,时而是风流倜傥的苏乞儿,时而又是八面玲珑的韦小宝,道不尽的谈笑风生,诉不完的妙语连珠。而生活中,他则沉默多于幽默,严肃多于轻松,同银幕上判若两人。或许,电影之于他,正如一副最完美的面具,使他把最真实的自我得以深深埋藏。看似漫不经心,其实胜券在握,周星驰就是这样一个人物。《功夫》之后,其《长江七号》寄托了太多人的希望。
Stephen Chow is a childish person, walking between the humor and silence. In the film, he is sometimes talented Tang Bohu, sometimes the most talkative love treasure, sometimes romantic Su Qi children, and sometimes smooth and colorful Wei Xiaobao, Tao endless laughter, endless vindictive joke. In life, he is more silent than humor, more serious than relaxed, with the screen if the two men. Perhaps the movie to him, as a perfect mask, so that he buried the most true self deeply. Seemingly careless, in fact, winning a prize, Stephen Chow is such a figure. After Kung Fu, its “Yangtze River VII” pinned too many hopes.