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纵向多声是专业音乐创作中重要的作曲技术。民间多声是在民间音乐中自然形成的多声织体。与西方专业音乐创作中具有严格规范的作曲技术理论体系相比,束缚少,所以随机性、灵活性强,并且便于演奏(唱)者的即兴发挥,并且还从某种意义上与现代音乐中的某些观念不谋而合。本文从持续低音、支声式多声、和音式多声和复调式多声等方面对民间多声如何与现代多声思维相结合进行了分析研究,为读者展示了其在与现代作曲技术相结合之后表现出的新的生命力和丰富的表现力。
Longitudinal polyphony is an important composing technique in professional music creation. Folk sound is more natural in folk music multi-sounding texture. Compared with the well-established theoretical system of compositional music in the creation of Western professional music, it has less restraint, so it is more random and flexible, and it is easier for improvisers to play and sing, and in a sense, Some of the ideas coincide. In this paper, we analyze and analyze how the folk polyphony combined with the modern polyphonic thinking in the aspects of continuous bass, trombone polyphony, polyphonic polyphony and polyphonic polyphony, which shows the readers’ After the combination of new vitality and rich expressiveness.