笔墨,是中国画家表现自己艺术理想的载体,更是画家精神世界的展现。从元代开始,绘画艺术开始强调笔墨,重视书法趣味,成为一大特色,这是中国绘画艺术又一次创造性的发展。这个时期,绘画的美不仅在于描绘自然,更在于描画本身的线条与色彩,也就是笔墨本身。无论是原始陶器纹饰,还是青铜礼器、金文(大篆)小篆,线始终是中国造型艺术的主要审美因素。“曹衣出水”、“吴带当风”、“铁线描”、“游丝描”……都指向的是线条美。笔墨可以具有不依存于表现景物的相对 Pen and ink is the carrier of Chinese artist’s performance of his artistic ideal. It is also the manifestation of the artist’s spiritual world. Starting from the Yuan Dynasty, the art of painting began to emphasize the writing of ink and calligraphy, attaching importance to the interest of calligraphy and becoming a major feature. This is yet another creative development of Chinese painting art. During this period, the beauty of painting is not only depicting nature, but also drawing lines and colors of itself, that is, writing itself. Whether it is the original ceramic decoration, or bronze ritual, Jin (seal) Xiaozhuan, line is always the main aesthetic factor of Chinese plastic arts. “Cao Yi water ”, “Wu with the wind ”, “wire drawing ”, “Tour silk screen ” ... all point to the line beauty. Pen and ink can have relatives that do not depend on the performance scene