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理查德·耶茨在代表作品《革命之路》和《复活节游行》中,分别对两部作品的女主人公爱波和爱米莉进行了精湛的心理和行为描写,她们的一生在不断追梦中谢幕,对“英雄”的表演进行了现代的悲情演绎。耶茨笔下的典型人物熠熠生辉,特别是隐喻其中的表演性人格令人印象深刻,为我们提供了探讨生命本真维度的理论范式。“表演”是一个跨越时间、空间和文化的心理学命题,开拓了文学、性别研究、史学等文化维度,本文以期在社会、心理等层面考察这些差异性个体所承载的价值体系和深层意蕴,分析了弱势表演者在强势话语下的言说策略,为弱势表演性个体争取“生存的合理性”提供了思考空间。
Richard Yates on behalf of the works “Road to the Revolution” and “Easter Parade”, respectively, the two works of the heroine Aibo and Emily superb psychological and behavioral description of their lives are constantly Chase the dream in the curtain call, the “hero ” performed a modern tragedy deduction. The typical figures of Yates are shining, especially the metaphorical performance personality is impressive, providing us with a theoretical paradigm of exploring the true dimension of life. “Performance ” is a psychology proposition that spans time, space and culture. It opens up cultural dimensions such as literature, gender study and history. In this paper, we examine the value system and depth of these different individuals in social and psychological aspects It analyzes the tactics used by the disadvantaged performers to speak under the strong discourse and provides space for thinking of the disadvantaged performers in fighting for the “rationality of existence”.