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我们在研讨戏剧小品的题材时,曾提到戏剧小品的题材要“以小见大”。“小”指的即是题材,而“大”指的则是主题。也就是说戏剧小品的题材虽小,却要反映时代的大主题。这里的“小”与“大”恰恰说明了戏剧小品的题材和主题的对立统一的关系。“一粒米可以见大千世界”、“一滴水可以反映太阳的光辉”、“一叶知秋”、“窥一斑而见全豹”,说的都是这个道理。我们何以能“一叶知秋”?这要从秋天的本质现象说起。秋风肃杀,落叶飘零,就是大自然的秋天所致,因此,我们从凋落的一片枯叶中便可以感知到秋天的来临。同样,豹的皮毛上的斑纹也是其独有的本质特
When we were discussing the subject matter of drama sketches, we mentioned that the theme of the drama sketches should be “small to large.” “Small” refers to the subject, while “Large” refers to the subject. In other words, the theme of the drama sketch is small, but it should reflect the big theme of the era. The “small” and “big” here precisely illustrate the unity of opposites and unity of the themes and themes of drama. “One grain of rice can see the world,” “a drop of water can reflect the brightness of the sun,” “a leaf known autumn”, “glimpse of the whole world and see all”, all of this is the truth. Why can we “know what’s going on?” This must start with the essence of autumn. Autumn chill, leaves falling, is the result of nature’s fall, therefore, we can perceive the fall from the withered leaves. Similarly, the leopard’s mark on the fur is also its unique nature