意象写实是中国画家把握自然界特有的写实方式,是在中国固有文化背景下形成的。从中国原始的、古代的以及现代的美术作品中,可以看到人们用意象写实手法主观去加工、表达眼中的物象的作品比比皆是。在当代文化艺术语境下,本文对东西方艺术中的写实问题进行了相应的比较,并多角度地分析了意象写实的源流及其特征。 The realistic imagery is the Chinese artist’s grasp of the realistic way of nature in nature. It is formed under the inherent cultural background of China. From the primitive, ancient and modern art works in China, one can see that there are many works that people subjectively process and express their images in the eyes using the realistic means of imagery. Under the contemporary context of culture and art, this article compares the realistic issues in eastern and western art and analyzes the origin and characteristics of the realistic imagery from many angles.