正如笔者在拙文《风雨飘摇之舟》的结尾处谈到的那样:19世纪的艺术呈现出两种力量之间的斗争。一方面是即将逝去的传统,庄严的历史画,编造轶闻趣事的人,画家诗人,以及画家新闻记者;而相反的一面,是进步的先锋,视觉现实主义,对画面结构和颜色的实验。从历史事实来看,前者即将走向衰落,后者则代表了新艺术。如果以一幅 As the author said at the end of the mythical “Stormy Boat,” nineteenth-century art shows a struggle between two forces. On the one hand are the passing traditions, solemn historical paintings, anecdotes made by artists, painter poets, and painter journalists; on the opposite side are vanguard of progress, visual realism, experimentation with picture structure and color. From historical facts, the former is about to decline, while the latter represents the new art. If one