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1991年是我国话剧的丰收年.深秋初冬时节,文化部举办了“全国话剧交流演出”活动,一些省市活剧院团先后晋京献演了20多台新剧目,给首都戏剧舞台带来了盛况空前的景象,出现了一批值得为之高兴的好剧本、好演出.这是我们话剧界执行“一手抓整顿、一手抓繁荣”正确方针的可喜成果.我以为,从80年代末90年代初起,话剧在社会主义新时期又步入了一个新的发展阶段.这次交流演出,正是这个新阶段的有力的开端.在这个新阶段中,话剧将在认真总结新时期以来自身正反两方面经验的基础上,以马克思主义文艺观为指导,闯出一条
The year of harvest of the drama of our country was in 1991. In the late autumn season, the Ministry of Culture held the activity of “national drama exchange performance”, and some local provincial and municipal theater troupes successively performed more than 20 new repertoires, bringing grand stage to the capital drama stage An unprecedented scene with a series of deserved good plays and good performances is a gratifying achievement in our theater’s implementation of the correct guideline of “tackling one hand and building prosperity with the other.” I think that from the late 1980s and early 1990s Since the beginning of the new era of socialism, drama has entered a new stage of development. This exchange performance is just a powerful beginning of this new phase. In this new stage, drama will, after earnestly summarizing its own pros and cons since the new era Based on the experience of both sides, Marxism literary concept as guidance, break one