写意性源于中国人对事物判断的角度,对艺术的看法,对自身精神在艺术中的体现;源于中国的哲学思想和艺术观,与西方绘画重视客观写实与科学性有本质不同。写意性是由主观到客观的对艺术的追求与表现。“写”由书法而来,可理解成一种抒发、倾吐与宣泄性的表达方式。“意”则是画家内心所想,是由主观到客观升华的意识与情怀。因此,写意性不能简单地理解成绘画中的略显抽象 The freehand line originates from the angle of Chinese judgment of things, the view of art, and the embodiment of one’s own spirit in art. The philosophical thought and view of art originating from China are essentially different from the western painting emphasizing objective realistic and scientific. Freehand is the subjective and objective pursuit of art and performance. “Writing ” comes from the calligraphy, can be understood as a way of expressing, pouring and catharsis. “Meaning ” is the painter’s inner thoughts, subjective consciousness to the objective sublimation of feelings. Therefore, freehand brushwork can not be simply understood as a slight abstraction in painting