北宋范宽性情疏放,爱山水。作画初学荆浩、李成,后来他觉悟到应当重视对自然山川景物的观察、体验,因而长期生活于陕西华山、终南山等处,观览云烟惨淡、风月阴霁的微妙变化,对景造意,将崇山峻岭的雄强气势、老树密林的荒寒景色,生动地现于笔下。他画山石落笔雄健老硬,以短而有力的笔触(被后人称为雨点皴),画出岩石的形貌质感。画上的大山巍然矗立,浑厚壮观,具有压顶逼人的气势。一天,大书画家、鉴赏家米芾外出游历。不觉信步来到山 Northern Song Fan leniency, love landscapes. Painting beginner Jing Hao, Li Cheng, later he realized that we should pay attention to the observation and experience of natural mountains and scenery, and thus long-term living in Huashan, Zhongnanshan and other places in Shaanxi Province, to observe the bleak cloud, subtle changes, Italy, the magnificent momentum of the mighty mountains, the desolate scenery of the old trees, vividly in the pen. He paints a magnificent picture of the rock, with short and powerful brush strokes (later known as raindrops), drawing the texture of the rock. The towering mountains stand tall, vigorous and magnificent, with the pressure of pressing the momentum. One day, large calligrapher, connoisseur Mi Yue out travel. Unconsciously came to the mountains