丁玲在1970年代末复出,当时正是固有文学体制松动和新文学体制建构的历史转型期,她对《在严寒的日子里》叙事策略的不断调整和修正,内现出“新时期”前夜的复杂状况以及创作主体的文化尴尬。从其1956年在《人民文学》杂志发表的8章和1979年重写发表在《清明》杂志上的24章,可见复杂的权力关系对文学生产乃至文学史叙述的重大影响。 Ding Ling was back in the late 1970s when it was the historical transitional period in which the inherent literary system became loose and the new literary system was constructed. Her constant readjustment and revision of the narrative tactics in the “cold days” showed “new period” The eve of the complex situation and the main creative culture of embarrassment. From the eight chapters published in People’s Literature in 1956 and the twenty-four chapters rewritten in Qingming Magazine in 1979, it can be seen that the complicated power relations have a significant impact on literary production and even the narration of literary history.