雁翔在《川剧现状与理论研究的思考》(载《川剧艺术》1986年第3期)一文中认为,川剧“老化”现象产生的主要原因,是由于主体(川剧自身)与客体(社会总趋势)的分离。在川剧实践队伍这一方面可以看到,迄今为止,川剧艺术的生产方式大多因循守旧,演出极为粗陋,节奏拖沓,结构冗长,基本上不讲究综合艺术门类的高度统一和综合效应。剧目选择 Yan Xiang in “the status quo and theoretical research on Sichuan Opera” (contained “Sichuan Opera Art” 1986 the third period) that the Sichuan opera “aging” phenomenon is mainly due to the main (Sichuan Opera itself) and the object Trend) separation. So far, most of the production methods of Sichuan Opera show offbeat, performing very poorly, temporally procrastinating and long-winded structures, and basically do not pay attention to the high degree of unity and comprehensive effect of the comprehensive art category. Repertory choice