童心之境是一种直接表达,是最直觉、最真挚地认知与把握世界。柏格森推崇的生命冲动与绵延,正与此相契合。受其影响,后印象派和现代派艺术家的创作中可看出对生命原始性的崇拜,毕加索幼时对饼干箱的好奇与揣摩,转变为“立体主义”画作中几何概括的艺术形式,及多重视角的图像叠加;包豪斯的设计师们由儿童教具生发灵感,为现代设计新的形式构想提出了观念与方法。 Childlike innocence is a direct expression, is the most intuitive, most sincere recognition and grasp of the world. Bergson impressed life impulse and extension, is in line with this fit. Influenced by its influence, the worship of primitive life can be seen in the works of Post-Impressionism and Modernist artists. When Picasso’s curiosity and speculation on biscuits were changed into the geometrical generalizations in the “Cubism” paintings, And multi-perspective images superimposed; Bauhaus designers inspired by children’s teaching aids for the modern design of the new concept of ideas put forward ideas and methods.