韩愈是文以载道理论的首倡者,但他的诗却不同于他的文。他的文宗经传道,几乎篇篇有一个重大的主题,但他的诗却表现出了对言志载道传统的反叛倾向,他引身边琐事入诗,并且有些是与社会表现无关的纯个人琐事,使他的某些诗呈现出意义的真空,人们对之说不出有多么深刻的思想意义;在形式上,韩愈的诗表现着非诗化即散文化的倾向,以非诗的形式写诗,表现着对固有的诗体形式的反叛倾向,好像他的诗里只有散文美而没有诗美;他所描写的对象由美的事物向怪、丑的对象转移,不令人直感到美的愉悦。但是,意义的缺失、诗意的缺失、审美特征的缺失对于一首诗都是致命的弱点,这就带来了如何评价和分析韩愈之诗的问题。本文以《落齿》诗为例,试图说明以空白的形式显示意义、以散文的形式传达诗意、对不美的砖?解生美感体验是文学发展过程中必经的一个历史阶段,并且是一个杰出文学家的重要特征。 Han Yu is the first advocate of the text theory, but his poems are different from his text. His texts are preached, and almost every passage has a major theme. However, his poems show a tendency to revolt against the tradition of words and deeds. He leads the trifles into poetry, and some are pure individuals who have no connection with social performance In the form, Han Yu’s poem shows the tendency of non-poetic or scattered culture, in the form of non-poem Writing poetry, showing the tendency of rebellion against the inherent form of poetry, seems to be the only prose in his poetry without the beauty of poems; the objects he portrays from the beautiful things to strange and ugly objects, . However, the lack of meaning, the lack of poetic meaning and the lack of aesthetic features are fatal weaknesses in a poem, which brings about the problem of how to evaluate and analyze Han Yu’s poem. This article takes the “Tooth Drop” poem as an example, tries to explain the significance of displaying the meaning in the form of blank, communicates the poetic meaning in the form of prose, and tries to understand the aesthetic experience of the unfair brick. It is a historic stage in the process of literature development and is a Outstanding writer of the important features.