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本论文力图研究在艺术设计的语境下,通过“镜子”与“我”或“非我”的互为参照关系和第三方介入的作用力来解析和阐述艺术设计中参照情境对主旨意识的准确表达起到的充分影响。如果说现代主义设计中,镜中非我是一种理性的参照,那么在后现代主义设计中,非我的参照结果就是相对很大程度的感性参照,融合了社会感情,体现了“超我”意识形态的语境。无论第三方介入者的身份多么的复杂或者多样化,后现代主义自身的机体是强大的。
This dissertation tries to find out how to analyze and expound the artistic design through the interaction between “Mirror” and “Me” or “Non-Me” and the force of third party intervening in the context of art design. The full influence of the reference situation on the accurate expression of the subject consciousness. If we say that in the modernist design, I am a rational reference in the mirror, then in the postmodernism design, the non-my reference result is a relatively large degree of perceptual reference, a combination of social feelings, reflects the “super I ”ideological context. No matter how complex or diverse the identities of third-party interveners, the body of postmodernism itself is powerful.