这部电影像是雷弗恩从地狱里带回来的,一部完全关于恐惧的奇作。每一个场景、每一秒、每一帧都闪耀着创作者的才华。《唯神能恕》在形式上惊为天人,美学造诣上登峰造极,还有漫无边际的暴力和恐怖元素。尼古拉斯·温丁·雷弗恩和瑞恩·高斯林的这次重聚充满了激情。这部电影不一定能赢得金棕榈,但它已得到了本届戛纳电影节的最佳退席、罢看奖。电影中的冷漠着实是闪闪发亮的,骨子里的癫狂足够将人催眠。它极端暴力、鬼魅,就像一块由化学制品做成的蛋糕。电影的第一个场景在霓虹灯的映照 The film is like Revel’s return from hell, a complete wonder about fear. Every scene, every second, every frame shines with the talent of the creator. “God only forgiveness” in the form of scared for the world, aesthetics accomplishments on the peak, there are endless elements of violence and terror. This reunion of Nicolas Wenting Revenfon and Ryan Gosling is full of passion. The film may not win Palme d’Or, but it has won the best of Cannes Film Festival’s current retirement. The indifference in the movie is indeed shiny, maniac enough man to hypnosis. It is extremely violent, ghostly, like a cake made of chemicals. The first scene of the movie is a reflection of the neon lights