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2012年是传说中的世界末日,虽然并没有真的山崩地裂,南欧的几个文化古国却已经在经济上深陷苦海。而对于同样是文化古国的中国来说,靠着蟠龙搅海的功夫,逢凶化吉,还在文化领域闹了个大丰收。先是王澍获得了建筑界的普利兹克奖,后又有莫言摘得诺贝尔文学王冠。两个都是相关领域的最高奖,一个建筑,一个文学,之间似乎没什么瓜葛。不过,细分析起来,内在的渊源还真不浅。建筑与文学二位获奖者有一个共通点,就是都坚持本土的文化策略。分别以山东高密、江南水乡为背景,把其中的历史和文化精髓表现到了极
2012 is the legendary Doomsday. Although not really landslides, several ancient cultural countries in southern Europe have been economically tormented. For China, which is also an ancient culture, it is a great bumper harvest in the field of culture due to the painstaking efforts of Beaulieu. First, Wang Shu Puli Zike won the architectural world, and later won the Nobel Prize Mo Yan crown. Both are the highest awards in the field, a building, a literature seems to have nothing to do. However, careful analysis, the intrinsic origin is really shallow. The two winners of architecture and literature have one thing in common: they all stick to the local cultural strategy. Respectively, Shandong Gaomi, Jiangnan Water Village as the background, the history and culture of the essence of it to the extreme