我从2004年开始创作民工题材,一直延续至今,重要作品有7幅。从这7幅画中,可清晰看出我在技法上的探索轨迹、心路成长历程;也可窥探出农民工在政府的扶持关心下生活精神状态的改善。有许多人奇怪我一足不出户画小情调只关注自我的女子,怎么选择了中国改革进程中特殊阶段出现的这一庞大弱势群体作为创作题材。我暗自窃喜,一个“缘”字,缘分天注定,一切都在 Since 2004, I started to create the theme of migrant workers, which has continued to this day with 7 important works. From these seven paintings, I can clearly see my exploration of the path of technical development, the heart of the growth process; peep workers can also spy under the government’s supportive care to improve the living conditions. There are many people who are strangely surprised at how I chose to focus on the woman who cares only about her own feelings and how I chose this huge and vulnerable group that emerged during a special stage in the process of China’s reform as her creative theme. I secretly secret hi, a “margin ” word, fate days doomed, everything is there