《音乐传播理论教程》1是曾遂今教授继《音乐社会学教程》(普通高等教育‘十一五’国家级规划教材)之后的又一重要理论成果,也是作者十多年来在硕、博教学和科研实践的基础上对音乐传播学教育的又一次探索性总结。《音乐传播学理论教程》作为我国音乐传播学学术和教学历史上的第一本专门性教材和“普通高等教育‘十一五’国家级规划教材”对音乐传播学科建设具有重要的启发、指导和开拓性意义。我国的音乐传播学研究自上世纪90年代初开始萌芽和发展,至今经历了众多学者长期艰苦的探索和积累过程。曾遂今教授参与其中、投身音乐传播学与音乐社会学领域的研究以来,潜心思考,大胆创新,为音乐传播学科的理论建设和教学作出了突出贡献。他所出版的《中国大众音乐——大众音乐文化的社会连接与传播》《音乐社会学》《音乐社会学教程》等专著和主编的《音乐传播学术前沿》《音乐传播与传播 The “Theory of Music Propagation” 1 is another important theoretical result of Professor Zeng Sujin’s “Sociology of Music Studies” (National Higher Education Eleventh Five-Year National Programming Textbook) Bo teaching and scientific research on the basis of the music education of communicable exploration once again concluded. “Theory of Music Communication Theory” as the first specialized teaching material in the academic and teaching history of music communication in China and “Eleventh Five-Year” national higher education planning materials “is of great significance to the construction of music communication disciplines , Guiding and pioneering significance. Since the early 90s of last century, the research of music communication in our country has sprouted and developed. So far, many scholars have gone through a long and arduous exploration and accumulation process. Professor Zeng Sujin, who has been involved in the field of music communication and music sociology, devoted himself to thinking and making bold innovations and made outstanding contributions to the theoretical construction and teaching of music dissemination disciplines. He published the ”Chinese Popular Music - Public Music Culture and Social Connection and Communication“, ”Sociology of Music“ ”Music Sociology Course“ and other monographs and chief editor of ”Music Communication Academic Frontier“ ”Music Communication and Dissemination