电影的真实有时会超越现实的真实。我所热爱的,是具有内省气质的欧洲电影。电视的出现宣告了电影将死的危机。1989,没有记忆的一年。父亲归家,而大雪苍茫。暴雨将至。我并不是一个天生善讲故事的人。新的蜂王诞生了!对于我的视觉映像的记忆而言,1989年是个分水岭。在此之前,是不定期的流动电影,在此之后,则是电视。按理说,社戏和皮影表演也应成为我视觉映像记忆的一部分,但是,社戏和皮影在我的视觉记忆里却难以构成某种 The reality of the movie sometimes surpasses reality. What I love is a European film with introspection. The advent of television announces the movie’s dying crisis. 1989, a year without memory. His father went home, and the snow was vast. Heavy rain is coming. I am not a natural born storyteller. The new Queen Bee was born! 1989 was a watershed moment for my visual memory. Prior to this, it was a non-regular mobile movie, after which it was television. It stands to reason that social theater and shadow play should also be part of my visual memory, but social play and shadow play are hard to come by in my visual memory