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藏戏是我国特有的一种世界级非物质文化遗产,法律保护的研究上多集中于知识产权法上、非物质文化遗产公约以及著作权等三个方面,多以公法和私法相结合的方式来保护藏戏。公私法相结合的法律保护方法虽然对藏戏的传承起到一定的作用,但更重要的是如何自发的让人们喜爱它,并自然而然的去传承。法律不应该强制人们去保护,更应该从多角度鼓励人们主动的传承。由此,本文拟打算从法经济学的角度去探索如何更好的发挥法律在藏戏保护中的作用。
Tibetan opera is a kind of world-class intangible cultural heritage that is peculiar to our country. The research on legal protection mainly focuses on three aspects: intellectual property law, intangible cultural heritage convention and copyright, which are mostly protected by the combination of public law and private law Tibetan opera. Although the method of legal protection combining public law with private law plays a certain role in the inheritance of Tibetan opera, what is more important is how to spontaneously let people love it and inherit it spontaneously. Law should not force people to protect, but should also encourage people to take the initiative in many aspects of heritage. Therefore, this article intends to explore from a legal and economic point of view how to better play the role of law in the protection of Tibetan opera.